Mastering For Vinyl

A basic eq will work well for this.

Mastering for vinyl.

Attenuate any excessively high frequencies. Knowing how to master for vinyl may mean the difference between being able to keep a client and losing a client to a mastering engineer or studio that masters for the vinyl cutting and reproduction process. To get the best results with your records you need to read the following before preparing your master source. 2 leave headroom in your mixes to enable a mastering engineer to do his job properly.

The ultimate goal of your creation is not only the recording on your cd or cassette but on vinyl which you intend to offer to your fans. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. Following these instructions will ensure that you are satisfied with the final product. Andre calilhanna audio mastering excerpted from our new guide the musician s guide to vinyl this post digs into post production audio mastering for vinyl records.

4 do not mix hi hats and. Avoid excessive high frequencies many people consider the sound of vinyl to be warm compared to digital mediums. Center the lower frequencies to avoid phasing issues. Use a multi band compression instead of a limiter.

Control any intense dynamics. They destroy dynamics and cause distortion. Low frequency issues low frequencies can be difficult to transfer to vinyl especially if there is stereo information. They ll be able to create the best version of your release for the medium without sacrificing the quality you strove for.

Mastering is the final step in the recording process which takes place after the mixing process post production to optimize and add the final sonic touches to your recordings. Mastering for vinyl is important for both mastering engineers and artists to understand. How to master for vinyl. Mid side processing is best for centering low.

But many vinyl cutters have been benefitting from the constant development and growing versatility of the plug in world. Vinyl masters will probably use a higher resolution file format for example 24 bit and perhaps 48 or even 96 khz sampling rate but if the cd has already been mastered these will probably be available from the original mastering engineer for little or no extra cost. Several known outboard de essers through the years include the maselec mds 2 and the orban 536 a. Limiting compression and loudness.

Vinyl mastering facilities rely on de essers that are built for this particular problem. Vinyl mastering 1 follow the general guidelines for proper mixing.